Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of CUYP, Aelbert 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
6357 A Road near a River sdfg CUYP, Aelbert A Road near a River sdfg Oil on canvas Dulwich Picture Gallery, London
21789 Aelbert Cupy (mk08) CUYP, Aelbert Aelbert Cupy (mk08) Rooster and Hens Oil on panel, 48x45cm Ghent,Museum voor Schone Kunsten
6346 Cows in the Water CUYP, Aelbert Cows in the Water Panel, 59 x 74 cm Museum of Fine Arts, Budapest
71356 Domestic Fowl CUYP, Aelbert Domestic Fowl Oil on oak panel English: 44,5 x 54,5 cm
72783 Domestic Fowl CUYP, Aelbert Domestic Fowl Medium English: Oil on oak panel Dimensions English: 44,5 X 54,5 cm cyf
6338 Domestic Fowl  fg CUYP, Aelbert Domestic Fowl fg Oil on oak panel, 44,5 x 54,5 cm Groeninge Museum, Bruges
6347 Evening Landscape with Horsemen and Shepherds dgj CUYP, Aelbert Evening Landscape with Horsemen and Shepherds dgj 1655-60 Oil on canvas Royal Collection, Windsor
6339 Grey Horse in a Landscape dfg CUYP, Aelbert Grey Horse in a Landscape dfg Oil on canvas Museum Boymans-van Beuningen, Rotterdam
6349 Herdsman with Cows by a River dfg CUYP, Aelbert Herdsman with Cows by a River dfg 1650 Oil on canvas National Gallery, London
6340 Herdsmen with Cows dfg CUYP, Aelbert Herdsmen with Cows dfg Oil on canvas, 101,4 x 145,8 cm Dulwich Picture Gallery, London
6350 Landscape dfga CUYP, Aelbert Landscape dfga 1640s Watercolor, 193 x 311 mm The Hermitage, St. Petersburg
6353 Landscape near Rhenen df CUYP, Aelbert Landscape near Rhenen df 1650-55 Oil on canvas, 170 x 229 cm Mus??e du Louvre, Paris
6351 Large River Landscape with Horsemen fdg CUYP, Aelbert Large River Landscape with Horsemen fdg Oil on canvas Rijksmuseum, Amsterdam
6342 Peasants with Four Cows by the River Merwede dfg CUYP, Aelbert Peasants with Four Cows by the River Merwede dfg Oil on wood, 38 x 50 cm National Gallery, London
6354 River Landscape fdgs CUYP, Aelbert River Landscape fdgs 1655-60 Oil on canvas, 123 x 241 cm National Gallery, London
6355 River Scene with Milking Woman sdf CUYP, Aelbert River Scene with Milking Woman sdf c. 1646 Oil on wood, 48,3 x 74,6 cm Staatliche Kunsthalle, Karlsruhe
6356 River-bank with Cows sd CUYP, Aelbert River-bank with Cows sd c. 1650 Oil on canvas Museum Boymans-van Beuningen, Rotterdam
6343 Rooster and Hens dfg CUYP, Aelbert Rooster and Hens dfg Oil on panel, 48 x 45 cm Museum voor Schone Kunsten, Ghent
6336 The Avenue at Meerdervoort dfg CUYP, Aelbert The Avenue at Meerdervoort dfg 1650-52 Oil on wood, 70 x 99 cm Wallace Collection, London
6337 The Dairy Maid dfg CUYP, Aelbert The Dairy Maid dfg 1650s Oil on canvas, 106 x 172 cm The Hermitage, St. Petersburg
6348 The Ferry Boat fg CUYP, Aelbert The Ferry Boat fg 1652-55 Oil on wood, 72 x 90 cm Wallace Collection, London
6352 The Maas at Dordrecht  sdf CUYP, Aelbert The Maas at Dordrecht sdf c. 1660 Oil on canvas, 114,9 x 170,2 cm National Gallery of Art, Washington
6341 The Negro Page dfg CUYP, Aelbert The Negro Page dfg c. 1652 Oil on canvas, 142,8 x 226,7 cm Royal Collection, Windsor
6344 View of Dordrecht  ds CUYP, Aelbert View of Dordrecht ds c. 1655 Oil on canvas, 97,8 x 137,8 cm Iveagh Bequest, Kenwood House, London
52712 View on the Maas at Dordrecht CUYP, Aelbert View on the Maas at Dordrecht mk223 Oil on canvas
6345 Young Herdsman with Cows fdg CUYP, Aelbert Young Herdsman with Cows fdg 1655-60 Oil on canvas Metropolitan Museum of Art, New York

CUYP, Aelbert
Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.
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